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On 3 October 2011, the band released an EP titled Clash, featuring two new songs and four remixes of them. The band released their second official single, "Suzy", on 24 February 2009. The album performed best in the band's native France where it attained a peak position of 11 in August 2009, and remained on the French albums chart for 68 consecutive weeks. In Switzerland, the album reached number 72 and in Belgium it achieved a position of 42. The album received praise for its traditional jazz inclinations, and placed in a number of European albums charts. On 20 October 2008 the self-titled Caravan Palace was released, preceded by the single "Jolie Coquine".
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They spent the next year recording material for their debut studio album. Following this emergence, the group were signed by the Paris-based Wagram Music record label. From 2006 to 2007 they spent a year touring around France, and their first festival appearance came at the Django Reinhardt Jazz Festival in 2007. The band became popular on the internet after releasing a number of demos and promo singles. More performers were required for the live concerts and the other three current band members were found after searching on MySpace.
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Loïc Barrouk took an interest in the project and booked the band a recording studio and a series of gigs. Yes, their fashion choices might be bold, but there is no one here who isn’t game for a laugh, or on hand to help out a neighbour.The band formed as a three-piece when they were recruited to compose the soundtrack for a silent adult film.
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Plus you’re far more likely to be worried about their judgement of how fine your wine is than whether or not they’ve nicked your camping cooker.
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Revellers have cottoned on to the festival mini-holiday, with camping areas almost full by Thursday and remaining so right up until the end of Monday. Once the bell tents are suitably decorated it’s off to the (perfectly manicured and positively gleaming) faux-wilds of Wilderness to firstly, hit up the hilariously high end booze tents (there’s a Talisker "Wild Spirit" bar, a Sipsmith "Gin Palace" and a Veuve Clicquot champagne garden) secondly, get kitted up in the tightest, sparkliest sequins you can squeeze yourself into and then thirdly try your hand at one of the titillating pastimes on offer. You can choose from axe throwing, wild swimming, nature runs, horse riding, wild medicine walks, outdoor life drawing there’s yoga for days (hotpod, aerial, paddleboard, colour flow, teen, beats, yin, rise and shine) or sit yourself down for a five minute philosophy puppet show, long table banquet or fancy dress cricket match. Such frivolity comes before anyone even mentions there might be music playing somewhere around here. I had so many conversations with people that began, “I’ve no idea who any of these bands are…” and while I (secretly) enjoyed mocking their musical bewilderment (in jolly good faith, you understand) it is of course fine that people are here for the lifestyle indulgence elements as much as the tunes – which is why the line up is made up of talks, classical and jazz music, contemporary dance, poetry, debates, crafting, mindfulness practices and art – all washed down with a re-fuel at Petersham Nurseries or a late-night pit stop at Patty and Bun. Gig-wise, you can come for the music or you can avoid the mainstream – on a few occasions we tripped past the main stage, wound up in the Jump Yard, and ended up staying there – the first time for Thrill Collins, an acoustic three-piece of self-proclaimed “no good street punks” from Milton Keynes re-arranging covers of well known pop songs with some serious skill and infectious energy. I mean, we couldn’t leave before the end of their skiffle mashup up traversing the “History of Gangster Rap”, which began with the theme tune of the Fresh Prince of Belair – it was one of my accidental highlights of the whole weekend.įriday morning saw us parked up at the Atrium in front of the Royal Albert Hall Jazz for Kids: New Orleans session.
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Caravan palace black betty meaning how to#Īctually, I left the Manchild to get amongst it with the #Smogs (translation: smug mothers) and went off for a massage, but it would have been a good one for life through an Instagram filter, non? My already partially feral children then refused my suggestion of a gypsy music workshop at the Troubador tent, insisting instead on the kids' area where my favourite children's theatre company The Flying Seagull Project were back for a comedy club special, teaching the tiddlypeeps how to tell jokes in a New York accent, with conviction and attitude, then inviting them up on stage to have a go.
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